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Norway Liberal Party Wants Legal File Sharing

Posted by kdawson on Sun Apr 15, 2007 07:04 PM
from the pirate-party-platform dept.
dot-magnon writes "The Liberal Party of Norway (Venstre) passed a unanimous resolution that advocates legal file sharing. The party wants to legalise sharing of any copyrighted material for non-commercial use. It also proposes a ban on DRM technology, free sampling of other artists' material, and shortening the life span of copyright. The Liberal Party is the first Norwegian political party, and the first European mainstream political party, to advocate file sharing. The Liberal Party's youth wing proposed the resolution."
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  • What? (Score:5, Insightful)

    by gravesb (967413) on Sunday April 15 2007, @07:07PM (#18744985) Homepage
    The political process working for the people?
    • Re:What? (Score:5, Informative)

      by Kjella (173770) on Sunday April 15 2007, @07:31PM (#18745169) Homepage
      Wait until they actually do it first. They're not in government at the moment, and there's a small thing parties that get into power tend to do, I call it a 180 turn. They only have something like 6% of the votes, so even if they still want to, it could die in coalition talks. And beyond that, through the EEC agreement we're bound to implement EU directives like the EUCD, which noone thought was a good idea really. Good sign? Yes. But it's a looooong way from becoming reality.
      • Re:What? (Score:5, Interesting)

        by pv2b (231846) on Sunday April 15 2007, @07:20PM (#18745085)

        Yep, working for the people who want to get stuff for free.

        Now the people who aren't going to get paid for their work... that's a different matter entirely.
        This mentality is behind a lot of misconceptions when it comes to pirate politics.

        As Pirates (I am a member of the Swedish Pirate Party) we believe there is no inherent right in getting paid for copies. We do however believe in a right to charge for performing a work.

        If artists who are out to make money stop producing due to copyright reform -- good riddance. There'll still be plenty of music and culture left, just as there has always been.

        To take one example, in the Music Industry, even the big labels don't see recorded music as a product any more -- but rather as advertising for other events and products.

        The fact is that technology for unlimited copying is here -- and the laws preventing private exploitation of this technology are outdated and counterproductive. With new technologies, people and products are made redundant. This happens all the time -- today nobody sees the sharp decline in sales and production of horse-whips after the widespread adoption of the automobile as a bad thing for example.
          • Re:What? (Score:5, Insightful)

            by CRCulver (715279) <crculver@christopherculver.com> on Sunday April 15 2007, @07:33PM (#18745189) Homepage

            Movies can't exactly be performed live and neither can software.

            Movies will still survive through private patronage or government subsidies. A number of important films that are acclaimed as triumphs of cinema were not expected to generate any profit, but the auteur was able to secure funding by people who appreciated his vision. And as for software, the point of the OP remains. People might not necessarily be paid for the duplication of software, but they may nonetheless be paid for its creation. Look at Google sponsoring Free Software projects.

              • Re:What? (Score:5, Insightful)

                by emilv (847905) on Sunday April 15 2007, @07:45PM (#18745275)
                A big part of the Swedish movie industry is funded by the government.
              • Re:What? (Score:5, Informative)

                by CRCulver (715279) <crculver@christopherculver.com> on Sunday April 15 2007, @07:52PM (#18745335) Homepage

                Government subsidized movies. Oh boy! I bet those will be entertaining (/sarcasm).

                A number of European countries have the government subsidizing the arts. However, the government doesn't keep too much track of how the money is spent. Just look at IRCAM in France, a multi-million dollar music and acoustics research laboratory, generously funded by the French state, but whose musical output is entirely free of restraints. Similarly, much of Ingmar Bergman's films were made with state subsidies, and that didn't stop them from being considered masterpieces from film buffs and critics.

          • Re:What? (Score:5, Insightful)

            by pv2b (231846) on Sunday April 15 2007, @07:41PM (#18745247)

            Except that:
            1. Music isn't the only thing that can be copyrighted. Movies can't exactly be performed live and neither can software.
            2. Since the invention of the printing press there has been technology for nearly unlimited copying save for a small cost for the actual copy. The xerox allowed for private individuals to make copies. Copyrights exist exactly for this reason, saying technology makes it pointless means you don't know the first thing about them.


            There's a big difference between the printing press, the xerox machine, and file sharing.

            The printing press meant that organisations could suddenly print large numbers of copies of a single work. Production of copies wasn't the largest cost any more, it was the actual production of the content. Rightly, copyright was instated to prevent other bookprinters from profiteering off somebodyelses work. To this day, the Pirate Party does not condone or support copyright infringement for commercial gain.

            The Xerox machine was a revolution in copying technology, but was very limited in its scope. It took considerable work to copy books with a xerox machine. It's self-regulating in that way. There wasn't really any pressure to update copyright laws because the societal impacts of the Xerox machine weren't nearly significant enough.

            With file sharing and the Internet, suddenly anybody can make infinite copies at neglible cost of any information that can be stored digitally.

            This is a *good thing*, and is a fact of life -- and the status quo can't be maintained through outdated legislation.

            You make good points that making money off movies might be hard in the future, but the fact is that the big bucks in movies comes from movie theater tickets. The DVD sales are just extra cream on top, and those crappy cams and telecines you see on file sharing networks are definitely no substitute for the real thing.

            Sure, DVD sales may diminish, but that's always been extra cream on top -- not the main bottom line.

            Either way, if you start trying to charge for something that's more convenient than file sharing, they will come. It worked for All Of MP3 (shady non-compensation of artists aside), and it would work for the movie industry too. I for one would rather pay a few dollars to watch a movie in DVD-quality using streaming downloading (entirely possible with technology today) than having to wait a few hours to get it off bittorrent. Instead, the content industry has made their own "legitimate download" services more cumbersome than the illegal alternative, and it'll be their undoing.
              • Re:What? (Score:5, Insightful)

                by pv2b (231846) on Sunday April 15 2007, @10:32PM (#18746421)

                Now try to tell a writer how they're going to get paid, when it will be perfectly legal to scan and post a book after sale number one. Once more, for the learning disabled; Copyright is not about money at all, it is about the author getting to decide how to distribute their work, not a bunch of I want it free'ers.
                Please tell a writer how they're going to get paid, when there's no guarantee that the manuscript he sends out to a bunch of publishers will be accepted or not.

                Not tell him what a great chance he could have of making *some* money by putting his book out on Internet, and selling hardcopies to interested parties.

                This business model works. I have bought several books (technical books, but the idea should extend to fiction too) using this exact method.

                Sure, you can't get paid for every single person who reads your book. Just like the way you can't get paid by every single person who listens to your music as they walk past you on the street. The Internet has made everybody a street performer, whether they like it or not. The only way to stop that from happening is not to perform.
                  • Re:What? (Score:5, Informative)

                    by pv2b (231846) on Sunday April 15 2007, @11:55PM (#18746897)
                    I don't know if anybody in this discussion is advocating a abolision of copyright.

                    The Swedish Pirate Party, which I am a member of, advocates a reduction in the term of copyright to somewhere betweeh 5 or 20 years after the work has been produced, as well as a reduction in scope of copyright only to cover commercial copying.

                    This is a far cry from abolishing copyright.

                    And as far as I know, Norway's Venstre doesn't want to abolish copyright either, they also want it reformed, not abolished.
          • There are business models that can allow for the production of books without DRM or copyright, but they're different than the systems we're used to. You can write and publish serials, rather than books, and use the free publicity that copying gives you to your advantage: tell your audience that if you don't get paid x, the next installment won't be released. There are a few authors (notably, Steven King) who have experimented with approaches like this (although his was slightly different). Writing in such an environment is less of a solitary activity, where the writer closets him or herself away and returns after some time with a book to hawk, than an interactive one, where the writer needs to constantly maintain the relationship with his benefactors.

            In truth, there probably wouldn't be as many books written, but I'm not sure that's necessarily bad per se; I think our current system encourages the overproduction of many forms of "art" basically on speculation, far more than the market really demands and is willing to pay for, which is why there are so many out-of-work artists of various stripes, e.g. authors who have written books that nobody wants to buy. An approach that resulted in nothing being written without a market for it would result in less pages produced annually, but it would lead to only the stuff that people were actually willing to pay for getting written.
          • Re:What? (Score:5, Insightful)

            by pv2b (231846) on Sunday April 15 2007, @07:51PM (#18745325)

            Then can you explain why companies holding intellectual property try to prevent its theft? They pay money to create something that can easily be copied, why should they not have exclusive rights on its distribution?
            If you actually go back and examine the logic of that statement it borders on the absurd.

            Are you seriously suggesting that if a company has a poor business model it's anybodies fault but their own?

            The companies holding intellectual property do just that, *hold* it. They're not on anybodys side but their own, in fact, I could argue that they're damaging to society.

            I see no reason to continue to support this "industry" based on reinforced outdated legislation. Do you really it's a good idea for a single company to have rights of redistribution to something that's so trivial to redistribute, that millions of people around the world are doing it without even batting an eyelid?

            We don't need the companies help to redistribute things any more. If they don't like it, they're welcome to take their profits, close up shop, and pull out. Culture will find its way without them, even better than before they arrived.
              • Re:What? (Score:5, Informative)

                by cpt kangarooski (3773) on Sunday April 15 2007, @09:30PM (#18746029) Homepage
                If a company creates something, they do have a certain right (in the liberal market economic sense) to do whatever the hell they want with it regardless of how poor their business model is.

                The issue is not whether the creator has the right to do things with the work -- we're all agreed that he has that right. The issue is whether the creator has the right to prevent other people from acting equally as freely with regard to that work.

                That sort of monopoly certainly does not inherently spring from the act of creation. Nor is it commonplace, really. For example, when sushi was introduced to American cuisine, the existing itamae didn't get to keep competitors from making the exact same food. Their hard work in creating the market was exploited by others and this is a fact of life and not a problem with the market or the law.

                Authors do not inherently have the right to keep other people from making copies of their works. But just as the government sometimes grants monopolies to utilities in order to ensure greater public benefits than would be had from a deregulated market, it is sometimes acceptable to grant monopolies to authors provided that the public receives a greater benefit from this than they would if these monopolies, called copyrights, were not granted. The public benefits by having more works created and published but equally by having as few or no restrictions on what they can do with those works. So simply increasing copyright is not an ideal solution, since 1) there is an issue of diminishing returns as to how much creation and publication they encourage, and 2) that would run contrary to the public interest in having less copyright.

                These anti-IP arguments essentially break down to the same knee jerk pro-communism arguments that were very prominent 50 years ago

                Pshaw. If you want a free market then you have to be against copyrights, since they are governmental market regulation. Hell, they're basically a form of subsidy for authors, meant to benefit the public. So really, one would imagine that it would be socialists or communists that are in favor of copyrights, while free-market capitalists are against them. The only reason that the authors and publishers support copyrights is because they benefit so much from them, and they don't want to have to face the additional competition if they were reduced or abolished.
      • Re:What? (Score:5, Insightful)

        by joto (134244) on Sunday April 15 2007, @11:20PM (#18746699)

        Sure, I'm all in favour of having a system whereby people who create stuff, gets paid. However, the current copyright system is not sustainable by any means. Digital technology has changed the landscape, and there's nothing we can do about it, no matter how good the arguments in favour of intellectual property rights are.

        We have always shared intellectual property:

        • If you heard a joke, you have probably told someone else. Telling jokes you didn't make up yourself is not, and have never been illegal. What if you could send someone a whole book as easily? Or an entire library? With digital technology we can!
        • If someone taught you a tune to play on a musical instrument, you would probably teach it to someone else. Doing that is not, and has never been illegal. What if you could send someone a complete musical recording as easily? Or all the musical recordings made in Spain between 1920 and 1935? With digital technology we can!
        • If someone taught you a cool mathematical technique, you would probably tell it to someone else. Doing that is not, and has never been illegal. What if you could send someone a whole computer program as easily? Or all the computer programs ever written that will work on a certain brand of computer? With digital technology we can!

        The creator of something ought to be able to set the terms of his creation.

        Sure, (s)he can either keep it a secret, or (s)he can show it to others. Artificially restricting the terms under which it is copied is something that is an interesting idea, and might have worked in the past, but unfortunately, it no longer works. You can't keep teenagers from having sex either. Perfect digital copies is a revolution in how we communicate ideas. And even though intellectual property rights was a good idea before digital technology existed, doesn't mean it will continue to be so forever. Intellectual property rights will end some time in this century.

  • by pv2b (231846) on Sunday April 15 2007, @07:11PM (#18745005)
    Interestingly enough, this is an almost word-for-word translation of the Swedish Pirate Party's declaration of principles.

    The Swedish Pirate Party didn't explicitly permit this copying, except for declaring their pages to be "No Copyright". I guess Venstre practice what they preach, and the Swedish Pirate Party has also come out with a statement saying that they welcome this act of copying. :-)

    More information about this (in Swedish) from Piratpartiet can be found here [piratpartiet.se].
  • Get ready (Score:5, Funny)

    by tehwebguy (860335) on Sunday April 15 2007, @07:12PM (#18745011) Homepage
    WTO complaint in 3..

    2..

    • Re:Software? (Score:5, Informative)

      by Kjella (173770) on Sunday April 15 2007, @07:47PM (#18745291) Homepage
      The actual resolution is quite more general, it uses the word "åndsverk" which can be translated pretty much to "copyrightable work". E.g. our copyright law is called "åndsverkloven".

      Their english translation:
      "Ban DRM: The Liberal Party states that anyone who has bought the right to use a product needs a technologically neutral way of using it. This means that distributors can not control how citizens wish to play back legally bought digital music. The Liberal Party wants to prohibit technical limitations on consumers' legal rights to freely use and distribute information and culture, collectively known as DRM. In cases where a ban on DRM would be outside Norwegian jurisdiction, products that use DRM technology need to clearly specify their scope of use before they are sold."

      Trying to stay very literal:
      "Ban against DRM: The Liberal Party is of the opinion that all that have bought the right to use a copyrightable work must have technology-neutral opportunities to use that copyrightable work as one wants. This means that producers and deliverers of technology can not control how citizens for example should play back the music that they have bought. The Liberal Party will therefore prohibit socalled DRM (Digital Rights Management), which are technical limitations to limit the consumers' legal right to freely copy and use information and culture. In those cases where a ban is outside Norwegian jurisdiction, products that contain DRM technlogy shall be clearly marked."

      Worse English, but it preserves a little more of the meaning.
            • by cpt kangarooski (3773) on Sunday April 15 2007, @10:55PM (#18746561) Homepage
              Well, looking at the earlier post in the thread, the platform is that "producers and deliverers of technology can not control how citizens for example should play back the music that they have bought."

              So from this we can expect that authors would not be required to release works for all platforms, but cannot interfere, e.g. by using DRM, with attempts by their customers to make those works function on other platforms.

              So you could not download a ROM and hack it, but you could buy a copy of the game, rip the ROM, and then hack it to run on a PSP. You could not force MS to release NT for the SNES, but if you bought a copy, you could try to get it to run on the SNES. That's how I'm understanding it, anyway.
      • Re:Software? (Score:5, Informative)

        by pv2b (231846) on Sunday April 15 2007, @07:26PM (#18745125)

        This probably got addressed already, but Apple only provides DRM-free versions of their operating system.
        Mac OS X contains plenty of DRM. FairPlay technology which restricts copying of songs purchased through iTunes (or more precisely, prevents playback unless the DRM technology is used to unlock the file).

        The DVD player software contains DRM software (though thoroughly ineffective, DVD-Jon has seen to that).

        I've also heard there may be some DRM in OS X to prevent hackers from running Mac OS X on a generic PC -- but I'm not clued in on that area sufficiently to make a positive assertion of that.

        Sure, you can argue that the DRM isn't active unless you have DRM:ed files, and it's the files that are the problem, and not the OS itself -- but the fact is that the DRMed files wouldn't be there if they weren't supported by software.
    • by pv2b (231846) on Sunday April 15 2007, @07:31PM (#18745173)

      A similar argument should be made that IP rights to pharmeceuticals should be overturned, so that any company should be allowed to produce knock offs of drugs.
      Yes!

      In fact, the Swedish Pirate Party (of which I am a member) uses the pharmaceutical industry as an example of an area where patents are harmful.

      The pharmaceutical industry today spends more money on advertising than on R&D, and also receives a very large bulk of its funding through government grants and other subsidies.

      Getting rid of the patent system would be a big win for society at large. Maybe then we'd get more drugs for things like AIDS and not as many drugs for erectile disfunction. :-)

      Speaking of AIDS drugs, a lot of people in the third world can't afford AIDS treatment because of the artificially inflated drug prices due to patents. Are pharmaceutical patents really worth their cost in human lives?

      No -- let the governments continue to fund pharmaceutical research -- maybe more than before, and get rid of patents. It's better for everybody in the long run, except for Big Pharma.
    • by KonoWatakushi (910213) on Sunday April 15 2007, @07:36PM (#18745207)

      A similar argument should be made that IP rights to pharmeceuticals should be overturned, so that any company should be allowed to produce knock offs of drugs.
      Agreed.

      That would certainly bring down prices for consumers quite a bit... for existing drugs. However, it would disincent pharmeceutical companies to make the mammouth R&D investments needed to discover new ones.
      What mammoth R&D investments? At best, this would would kill the mammoth advertising expenditures, which arguably should not exist in the first place. Most of the (minimal) investment is in researching replacements for existing high-margin drugs, which are dissimilar enough to avoid patents but functionally identical.

      In any case, these companies most certainly don't have our health or best interests in mind. Investment in medicine should be driven by need rather than profit, and the existing system is clearly a massive failure.
    • See, I don't get this argument. Ignoring any principals and/or pro-anti patentability stances, are you suggesting that if the pharmaceutical companies didn't get the huge amount of protection they get the would simply close up shop? they would go from making less money, to making *no money*?. As I understand it pharmaceutical companies benefit from all sorts of things they don't pay for, from R&D at universities, through to government subsidies. They make a huge amount of money, making less, or having to collaborate wouldn't be a bad thing for the users of their products. And anyway, what use is a treatment for a disease you have if you cant afford it?

      Oh, and what about the fact that some drug companies research and development aims are geared toward high value markets (dieting and beauty for example, which can be addressed through other means) rather than areas that would help large sections of the population with actual illness (where a drug may be the only option)? The market forces involved force company's to do what is best for their bottom lines, most of the time, Not what is best for society as a whole. With a shift of our IP related legislation, maybe that would change.
       
    • by Kjella (173770) on Sunday April 15 2007, @09:53PM (#18746177) Homepage
      Man, you manage to get many points wrong at once:

      1. Was illegal for computer software since long ago, became illegal for music, movies etc. in the new copyright law of 2005
      2. DVD-Jon was never in the supreme court, the prosecution dropped the case after having lost twice. Furthermore, his trial was before the 2005 law introducing the EUCD which added anti-circumvention to the law.
      3. True, unless it's covered again by the 2005 anti-circumvention paragraphs - it preempts it explicitly.

      Also you might want to read this (norwegian) [forbrukerportalen.no], which shows that nobody agrees on what rights we have exactly.