The Media

Death In the Browser Tab 91

Posted by Soulskill
from the not-about-chrome's-memory-management dept.
theodp writes: "There you are watching another death on video," writes the NY Times' Teju Cole. "In the course of ordinary life — at lunch or in bed, in a car or in the park — you are suddenly plunged into someone else's crisis, someone else's horror. It arrives, absurdly, in the midst of banal things. That is how, late one afternoon in April, I watched Walter Scott die. The footage of his death, taken by a passer-by, had just been published online on the front page of The New York Times. I watched it, sitting at my desk in Brooklyn, and was stunned by it." Cole continues, "For most of human history, to see someone die, you had to be there. Depictions of death, if there were any, came later, at a certain remove of time and space." Disturbing as they may be (Cole notes he couldn't bear to watch the ISIS beheading videos), such images may ultimately change things for the better. Is it better to publish them than sweep them under the carpet?
Education

Student Photographer Threatened With Suspension For Sports Photos 375

Posted by timothy
from the you-belong-to-the-state dept.
sandbagger writes: Anthony Mazur is a senior at Flower Mound High School in Texas who photographed school sports games and other events. Naturally he posted them on line. A few days ago he was summoned to the principal's office and threatened with a suspension and 'reporting to the IRS' if he didn't take those 4000 photos down. Reportedly, the principal's rationale was that the school has copyright on the images and not him.
Advertising

Editor-in-Chief of the Next Web: Adblockers Are Immoral 616

Posted by samzenpus
from the watch-our-ads-or-else dept.
lemur3 writes: Hot on the heels of the recent implementation of Canvas Ads (allowing advertisers to use the full page) Martin Bryant, the Editor-in-Chief of The Next Web, wrote a piece that, ostensibly, calls out mobile carriers in Europe for offering ad blocking as a service. He writes: "Display ads are still an important bread-and-butter income stream. Taking delight in denying publishers that revenue shows either sociopathic tendencies or ignorance of economic realities." While referring to those using ad blocking as sociopathic is likely not to win many fans, this mindset seems to be prevalent in certain circles, as discussed previously on Slashdot. Martin closes his piece with a warning: "For all their sins, ads fuel much of the Web. Cut them out and you're strangling the diversity of online voices and publishers – and I don't think consumers really want that."
Facebook

Facebook Wants to Skip the Off-Site Links, Host News Content Directly 51

Posted by timothy
from the a-few-seconds-a-few-seconds-there dept.
The Wall Street Journal, in a report also cited by The Next Web and others, reports that Facebook is to soon begin acting not just as a conduit for news links pasted onto users' timelines (and leading to articles hosted elsewhere) but also as a host for the articles themselves. From the WSJ article: To woo publishers, Facebook is offering to change its traditional revenue-sharing model. In one of the models under consideration, publishers would keep all of the revenue from ads they sell on Facebook-hosted news sites, the people familiar with the matter said. If Facebook sells the advertisement, it would keep roughly 30% of the revenue, as it does in many other cases. Another motivation for Facebook to give up some revenue: It hopes the faster-loading content will encourage users to spend more time on its network. It is unclear what format the ads might take, or if publishers will be able to place or measure the ads they sell within Facebook. It seems likely Facebook would want publishers to use its own advertising-technology products, such as Atlas and LiveRail, as opposed to those offered by rivals such as Google Inc.
The Media

Statues of Assange, Snowden and Manning Go Up In Berlin 161

Posted by timothy
from the and-there-they-are dept.
HughPickens.com writes: RT Times reports that Alexanderplatz square in Berlin has become the stage for a provocative art piece which celebrates whistleblowers and encourages ordinary citizens to speak out. "They have lost their freedom for the truth, so they remind us how important it is to know the truth," says sculptor Davide Dormino. The life-sized statues of the three whistleblowers stand upon three chairs, as if speaking in an impromptu public meeting. Next to them is a fourth, empty chair. "The fourth chair is open to anyone here in Berlin who wants to get up and say anything they want," says the artist. Dormino, who came up with the idea together with the US journalist Charles Glass, specifically chose a classical bronze statue for his depiction – and not an installation or abstract piece – since statues are usually made of establishment figures. According to Domino while men who order others to their deaths get immortalized, those who resist are often forgotten, so "the statue pays homage to three who said no to war, to the lies that lead to war and to the intrusion into private life that helps to perpetuate war." Activists and members of Germany's Green party unveiled the life-size bronze statues on May Day.
Privacy

The Sun Newspaper Launches Anonymous Tor-Based WikiLeaks-Style SecureDrop 64

Posted by samzenpus
from the keeping-your-name-out-of-it dept.
Mark Wilson writes: The likes of Julian Assange's WikiLeaks have set the standard for blowing the lid on huge stories based on tips from anonymous sources. Whistle-blowers such as Edward Snowden have brought to public attention stories which would otherwise have been kept hidden from the public, and it has been with the help of newspapers such as the Guardian that this information has been disseminated around the world.

Other newspapers are keen to ride on the coattails of those blazing a trail in the world of investigative journalism, and the latest to join the party is The Sun. Today, Murdoch-owned News Corp's newspaper and website launches SecureDrop — a way for whistle-blowers to anonymously leave tip-offs that can be further investigated.

The cloud service provides a means of getting in touch with journalists at The Sun without giving up anonymity — something which is particularly important when making revelations about companies and governments. The site provides a basic guide to getting started with the SecureDrop service, starting off with pointing would-be users in the direction of the Tor Browser Bundle.
Businesses

Comcast Officially Gives Up On TWC Merger 112

Posted by Soulskill
from the keeping-them-small-enough-to-govern dept.
An anonymous reader writes: Confirming speculation from yesterday, Comcast announced this morning that its attempt to merge with Time Warner Cable has been terminated. The announcement was very brief, but indicated that regulatory pressure was the reason they killed the deal. CEO Brian Roberts said, "Today, we move on. Of course, we would have liked to bring our great products to new cities, but we structured this deal so that if the government didn't agree, we could walk away." The Washington Post adds, "The move by regulators to throw up roadblocks shows that the government has grown concerned about massive media conglomerates bigfooting rivals that are finding success by streaming content over the Internet, analysts said. And after years of approving a wave of mergers in the industry — including that of Comcast and NBC Universal in 2011 — federal officials are taking a new tone, they said."
Advertising

German Court Rules Adblock Plus Is Legal 286

Posted by Soulskill
from the non-crazy-software-judgments dept.
An anonymous reader writes: Following a four-month trial, a German court in Hamburg has ruled that the practice of blocking advertising is perfectly legitimate. Germany-based Eyeo, the company that owns Adblock Plus, has won a case against German publishers Zeit Online and Handelsblatt. These companies operate Zeit.de, Handelsblatt.com, and Wiwo.de. Their lawsuit, filed on December 3, charged that Adblock Plus should not be allowed to block ads on their websites. While the decision is undoubtedly a big win for users today, it could also set a precedent for future lawsuits against Adblock Plus and any other tool that offers similar functions. The German court has essentially declared that users are legally allowed to control what happens on their screens and on their computers while they browse the Web.
Communications

Norway Will Switch Off FM Radio In 2017 293

Posted by timothy
from the video-sought-by-police-for-questioning dept.
New submitter titten writes The Norwegian Ministry of Culture has announced that the transition to DAB will be completed in 2017. This means that Norway, as the first country in the world to do so, has decided to switch off the FM network. Norway began the transition to DAB in 1995. In recent years two national and several local DAB-networks has been established. 56 per cent of radio listeners use digital radio every day. 55 per cent of households have at least one DAB radio, according to Digitalradio survey by TNS Gallup, continuously measuring the Norwegian`s digital radio habits.
Youtube

Google Rolls Out VP9 Encoding For YouTube 109

Posted by Soulskill
from the prettier-pictures-per-megabit dept.
An anonymous reader writes: The YouTube engineering blog announced that they've begun encoding videos with Google's open VP9 codec. Their goal is to use the efficiency of VP9 to bring better quality video to people in low-bandwidth areas, and to spur uptake of 4K video in more developed areas. "[I]f your Internet connection used to only play up to 480p without buffering on YouTube, it can now play silky smooth 720p with VP9."
The Media

Ask Slashdot: Options Beyond YouTube For An Indie Web Show? 60

Posted by timothy
from the pirate-tv-from-your-house dept.
New submitter Deltree Zero writes: I have an indie TV-style education/entertainment show which focuses on medicinal cannabis growing and use in Maine, product reviews, guests, etc. I have been creating the show at home using a very passable camera, editing with Lightworks, and have been distributing it via YouTube. I am five monthly episodes in, and besides needing a small upgrade in the microphone department, production has settled in to a workable quality level that I can be proud of. I am not looking to collect money at any time during distribution. The show is getting quite popular and I was wondering if any Slashdot readers had any advice on how to distribute my show other ways than YouTube. I see Roku is an outlet like this but my show must first pass through some sort of content filter and I am still waiting to hear if medicinal cannabis is on the "no-no list." There are other indie TV-style channels I have heard of, Revision 3, for example. What other indie channels exist that might deliver my show at low or no cost? What other methods of digital distribution make sense for an upcoming web show looking to free itself from YouTube as its only distribution point?
The Media

NY Times: "All the News That Mark Zuckerberg Sees Fit To Print"? 79

Posted by timothy
from the who-do-you-trust-and-why dept.
theodp writes Two years ago, Politico caught Mark Zuckerberg's soon-to-be launched FWD.us PAC boasting how its wealthy tech exec backers would use their companies to 'control the avenues of distribution' for a political message in support of their efforts. Now, the NY Times is reporting that Facebook has been quietly holding talks with at least half a dozen media companies about hosting their content inside Facebook, citing a source who said the Times and Facebook are moving closer to a firm deal. Facebook declined to comment on specific discussions with publishers, but noted it had provided features to help publishers get better traction on Facebook, including tools unveiled in December that let them target their articles to specific groups of Facebook users. The new plan, notes the Times, is championed by Chris Cox, the top lieutenant to Facebook CEO Zuckerberg and a "major supporter" of FWD.us. Exploring Facebook's wooing of the media giants, the Christian Science Monitor asks if social media will control the future of news, citing concerns expressed by Fusion's Felix Salmon, who warns that as news sites sacrifice their brands to reach a wider audience, their incentives for accuracy and editorial judgment will disappear.
Businesses

Gigaom Closes Shop 101

Posted by timothy
from the that's-a-shame dept.
Presto Vivace writes "What a loss for the tech community," linking to this announcement at Gigaom that the site is shutting down: Gigaom recently became unable to pay its creditors in full at this time. As a result, the company is working with its creditors that have rights to all of the company's assets as their collateral. All operations have ceased. We do not know at this time what the lenders intend to do with the assets or if there will be any future operations using those assets. The company does not currently intend to file bankruptcy. We would like to take a moment and thank our readers and our community for supporting us all along. — Gigaom management Reader bizwriter adds a link to this story on the shutdown.
Television

A Critical Look At CSI: Cyber 145

Posted by timothy
from the war-games-did-it-better dept.
Trailrunner7 writes with the introduction to a Threatpost article (best read without coffee near your keyboard) about the new CSI: Cyber: The show centers on the Cyber Crime Division at the FBI, a perfectly focus-grouped cast headed by Special Agent Avery Ryan. She is a former behavioral psychiatrist whose practice fell apart when–spoiler alert!–all of her case files were stolen by a hacker who then murdered one of her patients. Now she is on a mission to "turn" hackers one at a time to the path of righteousness. She is aided in this noble quest by the guy who played Dawson, former child rapper Lil Bow Wow, and the two h4x0r caricatures: a bearded, wisecracking guy named Daniel Krumitz who is the "greatest white hat hacker in the world", and Raven Ramirez, whom we know is a hacker because she has dyed hair. Also, because her name is Raven.

As a public service, the Threatpost team, Mike Mimoso, Dennis Fisher, Brian Donohue and Chris Brook, watched the first episode of CSI: Cyber and kept a running chat log of the "action."
Businesses

Pandora Pays Artists $0.001 Per Stream, Thinks This Is "Very Fair" 305

Posted by samzenpus
from the getting-your-cut dept.
journovampire writes with this story about how much artists make on Spotify. "Pandora founder Tim Westergren has claimed that the company is paying out 'very fair' sums to artists, despite its per-stream royalty weighing in at just one sixth of Spotify's. The digital personalized radio platform has previously gone on-record as saying that it pays music rights-holders approximately $0.0014 for each play of their tracks: Westergren blogged in 2013 that Pandora pays ‘around $1,370 for a million spins’. That’s around 80% smaller than Spotify’s per-stream payout, which officially stands somewhere between $0.006 and $0.0084."
Youtube

The Revolution Wasn't Televised: the Early Days of YouTube 81

Posted by Soulskill
from the when-web-videos-were-awful dept.
mrflash818 sends this report from Mashable: A decade ago, Netflix meant DVDs by mail, video referred to TV and the Internet meant simple text and pictures. All that changed in about 20 months. ... It was hard to get a handle on what YouTube was, exactly. The founders didn't know how to describe the project, so they called it a dating site. But since there weren't many videos on the site, Karim populated it with videos of 747s taking off and landing. Desperate to get people on the site, YouTube ran ads on Craigslist in Los Angeles and Las Vegas, offering women $20 for every video they uploaded. Not a single woman replied. Another vision for YouTube was a sort of video messaging service. “We thought it was going to be more of a closer circle relationship,” Chen said in a 2007 interview. “It was going to be me uploading a video and sharing it with eight people and I knew exactly who was going to be watching these videos — sharing with my family and my friends.” What actually happened was a “completely different use case” in which people uploaded videos and shared them with the world.
Movies

BitTorrent Announces Exclusive TV Shows 25

Posted by samzenpus
from the torrent-theater dept.
An anonymous reader writes BitTorrent today announced an exclusive partnership with Rapid Eye Studios to launch BitTorrent Originals. In short, the two will identify, produce, and distribute original video content for the BitTorrent Bundle platform, the company's direct-to-fan publishing platform. BitTorrent Originals will be timed exclusives, meaning they will debut on the BitTorrent Bundle platform and only be available there for 30 to 60 days. After the BitTorrent exclusive window closes, each project will be available through other distribution channels.
The Media

Are Review Scores Pointless? 135

Posted by Soulskill
from the not-if-you-love-arguing dept.
donniebaseball23 writes: With Eurogamer being the latest popular video games site to ditch review scores, some are discussing just how valuable assigning a score to a game actually is these days. It really depends on whom you ask. "I've always disliked the notion of scores on something as abstract and subjective as games," says Vlambeer co-founder Rami Ismail. From the press side, though, former GameSpot editor Justin Calvert still believes in scores. "I've been basing my own game-purchasing decision on reviews ever since I picked up the first issue of Zzap! 64 magazine in the UK almost 30 years ago," he says, while admitting that YouTube is certainly changing the landscape today: "There's something very appealing about watching a game being played and knowing that the footage hasn't been edited in a way that might misrepresent the experience."
The Media

An Argument For Not Taking Down Horrific Videos 400

Posted by timothy
from the what's-actually-happening dept.
A few days ago, we posted a story that asked whether posting horrific videos online served a legitimate journalistic purpose; some images that are shocking in their violence are now routinely available, including and especially the recent video of Jordanian pilot Muath al-Kaseasbeh being burned alive. Matthew Ingram writes at GigaOm that, whatever you think of the motives or results of the traditional news media showing such videos or choosing not to, there's good reason for social media sites not to reflexively remove such content.
Books

The Man Who Invented the Science Fiction Paperback 99

Posted by timothy
from the debt-of-gratitude dept.
HughPickens.com (3830033) writes "Clay Latimer writes at IBD that Ian Ballantine, called by many the father of the mass-market paperback, helped change American reading habits in the 1940s and '50s founding no fewer than three prestigious paperback houses — Penguin USA, Bantam Books and Ballantine Books. But Ballantine's greatest influence on mass culture was publishing science-fiction paperback originals, with writers including Arthur C. Clarke, Ray Bradbury, Philip K. Dick, Theodore Sturgeon, and Frederik Pohl and publishing the first authorized paperback editions of J.R.R. Tolkien's books. "These were great classics of world fiction," says Loren Glass. "He published in original form some of the greatest works in the golden age of science fiction. One of the interesting things about Ballantine is that he was not only a businessman trying to make money in books; he was a student of literature and publishing, and something of an intellectual."

Turning serious science fiction into a literary genre ranks among Ballantine's greatest feats. Prior to Ballantine Books, science fiction barely existed in novel form. He changed that with the 1953 publication of "Fahrenheit 451," the firm's 41st book. "That was obviously a key moment in the history of science-fiction publishing," Glass says. In 1965, when Tolkien's rights to his "Lord of the Rings" trilogy lapsed, Ace Books published his books without paying royalties and Tolkien responded by conducting a personal campaign against Ace. Tolkien began to urge the fans who wrote to him to inform them that the American copies were pirated: "I am now inserting in every note of acknowledgement to readers in the U.S.A. a brief note informing them that Ace Books is a pirate, and asking them to inform others." Ballantine quickly bought the rights and included Tolkien's back-cover note: "Those who approve of courtesy (at least) to living authors will purchase it and no other.""